Brisbane’s Metapattern and Melbourne’s Neo team up for some abstract, intelligent modern techno and a muted tonal color palette with...
Techno
Clotur makes his debut on the acclaimed Truncate label with “Echoes and Reflections” featuring four tracks designed to make you...
Dirty Epic teams up with Tekunomama to bring UK techno artist, Perc to Denver. Venue: TBA Strictly 21+ No Refunds: TICKET REMINDER: To ensure your satisfaction, Dirty Epic cannot guarantee tickets purchased from unauthorized 3rd party resellers (individuals or brokers). We recommend that you purchase tickets directly through RA IMPORTANT...
Yan Cook continues his string of excellent releases with “Eyes Adjust To The Dark” on ARTS. Yan Cook has developed...
Yazmin lands on Vinicius Honorio’s Liberta Records with “Control” for a set of heavy hypnotic techno cuts, kicking off the...
Brazilian KLBR keeps the Unrilis sound moving forward with a set ofpercussion-heavy Hardgroove-styled tracks on his latest EP, “Pulse Tribe.” It’s been cited in the liner notes of this release that this “Pulse Tribe” EP is something of a continuation from the late founder of Unrilis, Rino Cerrone’s sound, and...
Ring in the New Year with some of our favorite releases from 2024. We hope you enjoy them as much...
Arkane delivers a blisteringly fast set of grooving rippers off Melbourne Australia’s Warg Label with his latest “Warped Dystopia” release....
Salbany presents the much-anticipated “Crossroads” EP on Portuguese label Paraíso, accompanied by remixes from techno legend Cisco Ferreira (The Advent) and Detroit’s AMX (The AM). Released on December 6th, “Crossroads” is available in both 12-inch orange vinyl and digital formats. A devoted enthusiast of analog machinery—synthesizers, sequencers, and external effects—Salbany...
Chlär returns to the Primal Instinct label with an LP full of dark and funk-driven cuts that tip their mood...
Rene Wise launched his own record label, Moving Pressure, earlier in 2024. To mark the second self-released EP for Rene...
A fresh batch of four tracks from Blawan brim with blown out basslines and amp-slashing distortion. When Blues guitarists began experimenting with amplification in the 1940’s and 1950’s, they noticed their tone became overdriven or “distorted” when cranking the gain on tube-driven amps. Although distortion was an unintentional consequence of...
